After Xoresth‘s good long-distance debut in 2016, the following Vortex Of Desolation is shorter, divided into three tracks of a little more than ten minutes each, in which vocals appear for the first time, by Karahan Karaoğlu, as well as the use of ethnic instruments played by Russian Eduard Utukin and used in particular in the final Nefes, a song in which the wall of blunt desperation erected by the two previous episodes is softened. Not only Nortt, but also something of Sektarism, rather than The NULLL Collective, flows into this latest proposal by Dorukcan Yıldız, author of a difficult, courageous but valuable interpretation of the funeral doom in its ambient guise.

2018 – GrimmDistribution

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